La crisis de la adolescencia, In the 1963 Symposium you refer to, Lacan raised the issue: Can we speak of acting out outside of analysis (i.e., outside of a transferential and countertransferential relationship)? Lacan suggested that there is a close connection between acting out — viewed as a theatrical representation of the ghost (it is he who tries to make something understood; what occurs here would belong to the primary process) — and the passage to action, which involves an act that precedes speech. This concerns the “I” (je) of a truth (what occurs here belongs to the secondary process). It is important not to overlook that many things that happen on stage are effects of what happens in the room. In 1963, Lacan designated certain interruptions in analysis as the “passage to action.” He referred to a clumsy remark by Freud who told his patient, “That is the man you love.” Feeling misunderstood, the patient abandoned him, nurturing thoughts of vengeance.
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